Mid 1950s: the pickguard changed from the teardrop to the larger undulating shape like the pre-war J-35s. The public seems to have favored this shape over time as it fetches better prices now. For example: In general: Bacon serial numbers begin in 1906 (1 and 2 digit) and run consecutively until the sale of the company to Gretsch in 1940 (5 digit).
ARCHIVED TOPIC: Vintage Kay Company Banjo - Need Help Identifying Model, Please note this is an archived topic, so it is locked and unable to be replied to. Between 1934 and 1938, Gibson only offered the sunburst finish. set of identifying characteristics can be found at
During the period of 1909 through 1920 Gibson produced large numbers of mandolins.
Epiphone Serial Number Lookup - Authority Guitar Style Designations (There are many exceptions to the following). Leland Brilliantone (1910 1918?). After October 1930 the body and style designations and the serial number appears stamped on the neck blocks: Since the Larson brothers built guitars for many brand names, identification can be difficult, but there are a number of stylistic and structural building techniques that help narrow the exercise. feature both a serial number and a FON. Gold script Gibson logo, Pickguard: Tiger-striped & teardrop shape, Finish: brown sunburst top finish, dark brown mahogany back and sides and neck, Body Binding: 7-ply top binding and single ply back binding, Tuners: Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic button usually white but sometimes black), Tortoise-shell teardrop pickguard replaced the tiger stripe material, Single bound top and back, multi-bound rosette, Mahogany neck but a few Maple necks with a single walnut stripe down the center (3 piece neck), Three layer w/b/w tops and single layer back binding, Mahogany neck block with beveled sides, changed to a mahogany neck block with square sides, Tuners were 3-on-a-plate Klusons with exposed gears and Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic buttons (usually white but sometimes black) and 1/4 diameter posts. You may, . The Gibson CF-100 was introduced in 1950 (the CF-100E was introduced 1951) and discontinued in 1960. Mid to late 1944, the neck block revert back to mahogany, though poplar is occasionally used. On rare occasions, some dates can be found on . Angled (Tilted-Back) Headstock. I like it. G Edward Porgie - Posted - 06/16/2021: 14:40:30. Take a closer look at the serial number found on the back of the headstock and reference the guide below. MK-72 models were rosewood back & sides, 3 piece ebony/rosewood fingerboards with dot inlays & nickel hardware. It worked. Introduced 1967, Basically an more economical LG-0. They are available for binding that is .060 and .090 binding. About Larrive Guitar Labels >I see no collectors market for banjos like yours.<. How to customize a Huber Banjo; . The concept behind the J-45 was a high quality, affordable, big-sounding acoustic flat-top guitar. These instruments live a bit outside that critique. There can easily be more numbers within each year listed. Please see the, Epiphone: Current Serial Number Information, Gibson J-35 & Advanced Jumbo Flat-top Acoustic Guitars, Gibson Jumbo Deluxe and J-55 Flat-top Acoustic Guitars, Gibson J-45 and J-50 Flat-top Acoustic Guitars, Gibson Southern Jumbos and Country Westerns, Gibson J-160E Flat-top Acoustic-Electrics, Gibson CF-100 Flat-top Acoustic-Electrics, Gibson MK Series Flat-top Acoustic Guitars, Gibson L-5S Solid Body Electric Guitars, Guitars & Stringed Instruments General Information, Care & Feeding of a Wooden Musical Instrument, Identifying Vintage Guitars, Banjos & Mandolins, 41530 Transition from 12 to 14 fret necks, 1 Banjos from various contracted builders, 2028 Earliest reference to Forrest Dale VT, 30620 Symphonie, Sultana, and Senorita introduced, 35341 Gretsch purchases Fred Bacon Banjo Company. There is a Kay company logo on the headstock but absolutely no other identifying marks. In any event, these should be used only as a guide and not assumed to be absolutely correct. Start your day off right, with a Dayspring Coffee middle-sized, chrome tuners. The standard "Huber' shape, the popular "Double Cut" shape or the "Fiddle Cut" shape. MK-35 models were mahogany back & sides, rosewood fingerboards with dot inlays & nickel hardware. JM, jumbo size guitar with mahogany back & sides, chrome tuners. It is very showy though. Its price tag was $55 as compared to the Martin D-18 at $65 and D-28 at $100. White from 1928 to 1943/44. Body shape changed to square shoulder dreadnought.
Serial Search - Gibson Scott Zimmerman may be able to shed some light on this. Gibson Banjo Serial Number Factory Order Number Information; Pre-war banjos, Flathead, Mastertone. In 1935, binding was added to the fretboard. I have owned a beautiful Kay company banjo for over 30 years. 30, 1909. USA produced Epiphones of this era bear standard Gibson serialization and include the Made in USA stamp on the back of the headstock. 1946 onward: No feet the bottom of the bridge flush on the instrument top.
Buy Prewar Gibson Banjo Online - Banjos for Sale Where possible, these numbers are in agreement with existing sales receipts. The designations were. In some cases, teachers would purchase these instruments and put their own names on them, but in many other cases they carry no identifying name at all. . Width at nut 1 11/16, scale 24 3/4. It had a double ring of purfling around the soundhole, pearl dots on the fretboard, dark stained birch back and sides and The Gibson stamped on tailpiece cover. In 1926 Gibson introduced the L-series guitars with the L-0 at $35 and the L-1 at $50 (1928 prices). Though it was discontinued in 1942, the last Advanced Jumbo left the Kalamazoo plant in 1940. It was basically a slope shoulder dreadnaught like a J-45 or Southerner Jumbo and designed for the country and western market. At least then you will know the model name. Internally, changes from the J-35 included strengthening the top bracing by moving the X brace 1 additional inch behind the soundhole. I just have a few questions. Though it has gone through a number of refinements over the years, the basic design has not changed since. 3 hrs, 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo' 3 hrs, 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head' 4 hrs, '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck' 4 hrs, I see no collectors market for banjos like yours.<, We use cookies to ensure that we give you the best experience on our website. The 1934 version had a classic Gibson sunburst: the small amber center around the bridge about 1/4 of the top area. 1970 onward: 1 piece maple. The top and back bindings were black plastic. Lyon & Healy routinely used talon or patent 1897
Banjo Decal - Etsy The bracing was revised to accommodate the moustache bridge and generally heavier than earlier models. 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. It's difficult to positively identify the manufacturer of these . The neck was basically the neck stocks from the L-5 archtop: 3 ply maple with single wide bound scalloped fretboard ends and headstocks and the early models had the L-5 flowerpot inlay on the headstock. The swing distance is important because it dictates how large a turned piece can be on that particular lathe. During 1880-1890 Fairbanks joined with William A. Cole, a successful performer and teacher, and produced approximately 9000 banjos as Fairbanks & Cole. The Jumbos had a slight V shaped neck with the Gibson truss rod and a pointed French heal somewhat unusual for Gibson. This moved the X away from the soundhole a bit. Another useful
http://www.mugwumps.com. Number on headstock, Open Back, Pink OHC liner, Klusons with white plastic buttons, bound f/b: I/N Auction 8/2007 : 1962 : 88909: RB-180 . It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. The decade following saw a change in finish from varnish to shinier lacquer. CMI acquired Gibson around May 1944. It appears that they experimented right up to the point of discontinuing the line. Every banjo has a story. The A.C. Fairbanks Company (incorporated 1875) was succeeded in 1903 by the Vega Company (established 1889). A2-Zs were theoretically made during the Loar period of 1921-25, but only between 1923 and 1924. By the end in 1985-86, Gibson was basically down to the Les Paul model alone. The 1975 price was $439. Modern Gibson Logo open "b" and "o".
Vintage Kay Company Banjo - Need Help Identifying Model - Discussion The last 4 digits are a neck number. Art Studios. First factory order number (FON) on neck block of J45s in 1942 was 907 and 923. This should be considered a guide to get you within a year of the correct date. Pearl twin parallelogram inlays, Bridges: Rosewood belly-down. Blake507 - Posted-12/26/2013: 15:42:17. English mandolin banjo, by cuckoo, circa 1900s, of typical form, 'Cuckoo' imprinted on the headstock, 55 cm long American Orpheum mandolin banjo , by Rettberg & Lange, no. Considering that Gibson was using a double X bracing for most of its other flat top guitars during that period, these instruments, with their modified fan bracing, stand out as some of the better sounding Gibsons of the time. The Gibson stamped on tailpiece cover and inlaid in headstock. This is the smallest model, chrome tuners. The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. The pot fairly screams Iida to me. Serial Numbers. Ss. in the third row of pictures below: Lyon & Healy (1864-1940) made many grades of banjos in many styles,
. Late 1930s through 1942: ? adjustment wheels 2 feet and extensions on top of the base for the wheels. The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck. Gibson introduced their first adjustable belly bridge 2 screws to raise and lower the bridge. Deering Gabriella 5-string banjo headstock. When it came out in 1942 it was the most expensive Gibson flat-top in the line. 340 Rosewood back & sides, MOP, colored wood appointments & a Tree-of-Life fretboard inlay. which do not feature a paper label. For example: B&D had several un-numbered models between 1913 and 1920. Tuners, hardware and tailpieces were probably purchased from Lyon and Healy who had a factory just down the street from the Larson shop. The examples weve seen vary from the Gibson catalogs quite a bit. By 1936, with the depression still gripping the nation, Gibson moved to stay competitive and offer a more affordable option: The Advanced Jumbo (Advanced meaning that the size advanced: got bigger) with rosewood and fancier appointments that would compete with the Martin D-28 at $80 and the Jumbo 35 at $35 to compete with the Martin D-18. Between 1975 and 1979, Gibson worked with Dr. Michael Kashas acoustic theories for guitar and Luthier Richard Schneiders design applications to create a unique instrument for the Gibson acoustic lineup. To complicate matters, the Larson brothers appear to have used different numbering techniques for different brands that they supplied. MK-35-12 models were only made in 1977. This was quickly reduced to avoid model confusion between the J-45s and the more expensive Southerner Jumbos. This is a strong playing.
banjo headstock identification - voxu.group Build Your Own Huber Banjo | HuberBanjos.com The introduction of a truss rod cover to the headstock caused the inlay patterns to adjust as well. The Larson bridge, if not otherwise specified by another company, is a rectangular flattened pyramid ebony style similar to those used by Lyon and Healy. In general, higher model numbers meant more binding and ornament. thurgood marshall school of law apparel Projetos; bubble buster 2048 town Blog; cell defense the plasma membrane answer key step 13 Quem somos; how to make a good elder scrolls: legends deck Contato; hillsdale college football. They were too late Gibson owned the market and the Martins were dropped 6 years later having only sold about 540 combined. Have a vintage Harmony guitar? Rated 5.00 out of 5. The strings are tightly wound at the headstock so the banjo player can form cords along the fingerboard. Depending on the selected source, there is disagreement about these numbers. The somewhat radical headstock shape was discontinued at Gibson with the Mark Series but appears to have been an influence on the young Paul Reed Smith who later used a similar shape for his electric instruments. The fingerboard typically has inlays made of silver or steel. Only about a dozen were made. Silkscreen logos - Low end models. Martins 1st steel string: 1922, 18 Mahogany body after 1917, no volute on headstock, 40 Rosewood body, MOP top & soundhole but not neck base, 41 Rosewood body, MOP top & soundhole but not neck base, 1969+ D-only, 42 Rosewood body, MOP top, soundhole & neck base but not sides, 45 Rosewood body, MOP top, soundhole, neck base & sides, S (1967 on) 12 fret neck, slotted headstock, Dyer (1906 1923?)
Banjo Head Types and Descriptions - Deering Banjo Company The headstock shape is very similar and it has the hexnut . The tuners were individual Kluson with amber buttons.
Headstock Shape - Huber Banjos It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. (The 1st year of the J-45 actually had similar appointments but they were reduced and simplified for model clarity in 1943). As a consequence, the details were grand in scale and the bindings high in contrast to look good in black and white on the silver screen.
Home | Vintage Banjo Maker Dr. Michael Kasha was a chemical physicist and the director of the Institute of Molecular Biophysics at Florida State University. Bridges: Ebony Sometimes with a flattened pyramid rectangular bridge shape. It was available with a brown finish and came as a snakehead or paddle headstock. New guitars were supplied with user applied pick guards, and extra saddles of different heights that could be easily inserted to adjust the string action to accommodate the swelling of the instrument with seasonal humidity changes. David L. Day was in his 70s. Format: 2 (Identifier) YY (Year) XXXX (Numerical ID) Example: Serial number . It was the innovations of the Loar period: 1921 through 1925 that saw the introduction of the truss rod, adjustable bridges, bracing adjustments, thinning and grading of the tops and numerous other refinements to create the standards that are still used today. Presentation banjos often turned up at NAMMand other shows. MK-99 models were handcrafted and signed by Richard Schneider. Banjo serial numbers: During the 1920s, Gibson instruments were made in lots of 40s (for the most part, this procedure continues today). banjos, not surprising since they bought out the Buckbee factory in 1898. 541 Concert: rosewood back & sides with colored wood appointments. A maple, prewar style bluegrass banjo made like the classic banjos of the 1930's with the same materials and the same weight, design and features, the Golden Era is one of our most popular banjos for traditional bluegrass bands. Frets refers to the number of frets that are clear of the body. The Aria 921C was a good quality 5-string banjo made in the early 1970s. The following numbers are the earliest known serial number for the year listed. For more detailed information, get the following book: The Larsons Creations Guitars & Mandolins by Robert Carl Hartman. 1908 into 1916: Elevated pickguards of plastic tortoise shell clamped to the body with a removable clamp and pinned to the bridge. It was during the years of 1977 through 1986 that most of the high-end lines at Gibson were discontinued: The ES-350T, L-5S and the Mark Series among them. The soundhole size coincided with the overall size of the instrument. They didnt sell well but did live up to their design intent of a heavier, booming tone with good overall balance. 156137I know this is a mandolin forum, but the admins suggested I start here. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. Unfortunately, the information is confusing and inconsistent. See Martin Serial Numbers for a dating information. Where no serial numbers are shown they simply are not known. The hardshell case had a green or red silk lining. At the time, the Nick Lucas model was the largest flat-top Gibson offered. The 2nd delivery to Ray Whitley was the more refined 14 fret SJ that is so well photo-dicumented. This was available in brown, black or blonde finish. Gibson had helped in the war effort and seen many employees enlist. The J-160E was Gibsons second design for an electric flat-top guitar following the CF-100. 2. Michael Wright has compiled one of the largest picture galleries of headstock photos in his book "Guitar Stories Vol. Mythology has it that the Southerner Jumbo was specifically targeted at the Southern market honoring rising Country music trends. No binding, no inlay and no decoration. Nice playability, great tone, strong low end and good sustain all the way up the neck. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. Most old Hfners do not have serial numbers. Take your playing to the next level with the help of a local or online banjo teacher. Larger 2.25 wide by .140 laminated maple bridge plates replace 1 7/16 x .125 solid maple bridge plates, Change the body shape to square shoulder dreadnaughts, Injection molded .075 thick styrene pickguard replaces the older .025 thick celluloid pickguard, Plastic bolt-on bridge replaces the rosewood bridge, White pickguard with Gibson logo screwed down to the top.